This is the left-handed version of the Gold Tone ES-Banjitar — a solid-body electric 6-string banjo tuned and played like a guitar, delivering authentic banjo snap and bite through a built-in hollow sound chamber and a dual-pickup system. Guitarists who want real banjo tone on stage without learning 5-string technique will find this instrument immediately familiar and endlessly expressive. Every ES-Banjitar/L ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone ES-Banjitar is a solid-body electric 6-string banjo tuned and played just like a guitar, giving guitarists instant access to authentic banjo tone without learning a new tuning or technique. A hollow sound chamber built into the body delivers real banjo resonance even unplugged, while a single-coil neck pickup and an SMP humbucker under the head give you a wide tonal palette on stage or in the studio. Includes a hard case and ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone F-12 is a six-string mando-guitar tuned to standard EADGBE — think of it as a guitar that shrank just enough to be genuinely fun. Built on an F-style mandola body with a solid spruce top, 15" scale, and a built-in bridge transducer, it bridges the gap between guitar familiarity and mandolin portability in a way very few instruments manage. Every F-12 receives a professional factory setup at Gold Tone in Titusville, Florida before it ships.
The Gold Tone F-6 is a six-string mando-guitar tuned to standard EADGBE — think of it as a guitar that shrank just enough to be genuinely fun, with a solid spruce top, F-style maple body, 15" scale, and a built-in bridge transducer pickup. It plays guitar chords and riffs with a bright, punchy voice that cuts through any mix, and it comes ready to plug in and play. A hard foam case is included, and every F-6 ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone GME-6 is a 6-string solid body electric mando-guitar tuned EADGBE, just like a standard guitar, but on a 13-7/8" mandolin-scale neck. A dual-rail mini humbucker delivers warm, feedback-free tone through a solid alder body, and the slim maple neck makes it immediately comfortable for guitarists who want mandolin-scale voicings without learning a new tuning. Every GME-6 is professionally set up at Gold Tone's factory in Titusville, FL. Padded gig bag included.
This is the left-handed version of the Gold Tone GME-6, a double-cutaway solid body electric mandolin built for players who want real amplified punch without feedback. With a dual-rail mini humbucker, compensated metal bridge, and slim maple neck, it covers everything from Texas Swing and hillbilly jazz to rock and roll. Includes a padded gig bag and arrives professionally set up at the Gold Tone factory in Titusville, Florida.
The Gold Tone GRE is a Paul Beard-designed metal body resonator guitar built for players who want authentic cone-driven tone, real projection, and the kind of road-worthy durability that holds up night after night. Whether you're playing Delta blues, old-time, or bluegrass, the biscuit-style cone and built-in lipstick pickup give you acoustic power and stage-ready versatility in one instrument. Every GRE ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone GRS is a biscuit-cone resonator guitar built with a steel body and a genuine Paul Beard tailpiece, delivering that raw, cutting tone that blues and bluegrass players live for. It comes loaded with a lipstick pickup so you can go from front-porch acoustic volume to a full stage mix without missing a beat. Every GRS is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone GRS, a Paul Beard-designed metal body resonator guitar with a built-in lipstick pickup and biscuit cone. It delivers that unmistakable resonator bark and warmth — perfect for blues, bluegrass, and slide work — with the added convenience of going straight into an amp when you need it. Lefties finally have a serious resonator option at a price that makes sense.
The Gold Tone GT-500 is the premier 6-string banjitar for guitar players who want to explore the banjo world without relearning the fretboard — it plays in standard EADGBE tuning and comes loaded with the Gold Tone SMP Sliding Magnetic Pickup for serious plugged-in tone. Built with a maple rim, maple resonator, and a comfortable maple neck topped with a radiused rosewood fingerboard, this instrument delivers killer acoustic projection alongside full-range amplified fidelity. Every GT-500 ships with a professional factory setup from Gold Tone in Titusville, Florida and includes the Gold Tone HD15 hard case.
The Gold Tone GT-500/L is the left-handed version of Gold Tone's most popular 6-string banjitar — built for guitar players who want that unmistakable banjo snap and twang without relearning a new instrument. Featuring a maple rim, maple resonator, rosewood fingerboard, and Gold Tone's SMP Sliding Magnetic Pickup for powerful amplified tone, this is a serious instrument at a serious value. Every GT-500/L is professionally set up at Gold Tone's factory in Titusville, FL and comes with Gold Tone's HD15 hard case.
The Gold Tone GT-750 Banjitar Deluxe is the premium step up in Gold Tone's six-string banjo guitar lineup, featuring a 20-hole bell brass tone ring for chime-y tone, exceptional sustain, and focused volume that the step-down GT-500 simply can't match. Built with a fully-bound curly maple resonator, a maple neck, and a radiused rosewood fingerboard, this instrument is equally at home on stage or in the studio. It ships with a Gold Tone SMP Sliding Magnetic Pickup with volume control and a hard case — everything a guitarist ready to explore banjo tone needs right out of the box.