This is the left-handed version of the Gold Tone M-Bass25 — a 25-inch scale acoustic-electric MicroBass strung with Aquila Thunderblack rubber/polymer strings that deliver surprisingly deep, full bass tone in a compact, travel-friendly body. At just 2.8 lbs with a built-in preamp and EQ, it's a genuinely practical bass for gigging, practicing, or exploring new sonic territory. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone M-Bass25FL — a 25-inch scale acoustic-electric MicroBass strung with Aquila Thunderblack rubber/polymer strings that produce a remarkably full, upright-like bass tone in a compact, lightweight body. With ten percent more interior volume than the 23-inch M-Bass and a built-in preamp with EQ, it plugs straight into any amp or PA. A gig bag is included, and every instrument is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone Mandola — a traditionally styled Celtic mandola with a solid spruce top, mahogany back and sides, built-in transducer pickup, and a gig bag included. Tuned CGDA (a fifth below mandolin), it delivers authentic Irish ensemble tone with comfortable, low action right out of the box. At $949.99 it is a serious instrument for left-handed players who want genuine Celtic voice without the boutique price tag.
This is the left-handed version of the Gold Tone Mastertone Banjolele-DLX, a concert-scale banjo ukulele built as a faithful replica of one of the most celebrated banjo-uke designs ever made — the kind George Formby made famous on the British music hall stage. A one-piece cast flange, deep-wall resonator, and rolled brass flat-bar tone ring give it genuine projection and that signature pop-and-snap blend of uke sweetness and banjo clarity. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and a gig bag included.
The Gold Tone MB-850+/L is the left-handed version of Gold Tone's premium banjolin — a faithful recreation of the 1920s mandolin-banjo with an 11-inch brass tone ring pot and removable maple resonator. Tuned GDAE like a mandolin but with the bright, projecting voice of a banjo, it's an ideal instrument for old-time, Celtic, jug band, or any player who wants something genuinely different. Every one ships with a gig bag and professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone ML-1 Missing Link baritone banjo — a genuinely rare instrument co-designed by Béla Fleck to fill the sonic gap between a standard five-string and a cello banjo. Tuned to open C (CGCEG), it delivers a deep, warm, orchestral voice unlike anything else on the market, built around a 12-inch maple rim with a rolled brass flat-bar tone ring. Every ML-1/L is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone MM-150 Maple Mountain — a beautifully appointed openback banjo built for old-time, clawhammer, and frailing players who demand professional-grade features without the premium price tag. Equipped with a Whyte Laydie-style brass tone ring, planetary tuners, a rosewood fingerboard with a frailing scoop, and an 11" Remo Renaissance head, the MM-150/L arrives with a hardshell case and a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone OB-150/L is the left-handed version of the acclaimed Orange Blossom banjo — a pre-war-inspired flathead that delivers authentic bluegrass tone at a price that won't break the bank. Built on a three-ply maple rim with a one-piece cast flange and a bell brass flathead tone ring, it captures the voice of the vintage originals without the vintage price tag. Every OB-150/L ships with a professional factory setup from Gold Tone in Titusville, Florida, a hard case included, and Gold Tone's transferable lifetime warranty.
This is the left-handed version of the Gold Tone OB-150RF Orange Blossom — a pre-war-inspired flathead bluegrass banjo built around a bell brass tone ring, three-ply maple rim, and one-piece cast flange, all at a price that makes authentic Scruggs-style tone genuinely accessible. With a maple neck, rosewood fingerboard, vintage pearloid inlays, and a satin Vintage Brown finish, the OB-150RF/L delivers the look and feel of the classic originals without the five-figure price tag. Every instrument ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hard case.
This is the left-handed version of the Gold Tone OB-2 Mastertone Bowtie — a historically inspired flathead banjo celebrating the legendary bowtie era of 1960 to mid-1964, complete with a rare 19-hole bell brass tone ring, ebony fingerboard, and nickel-plated hardware. Built for serious left-handed players who want authentic vintage Mastertone character at a price that doesn't require a museum budget. Every OB-2/L ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hard case.
This is the left-handed version of the Gold Tone OB-250 Orange Blossom — a professional flathead banjo built to evoke the great pre-WWII resonator banjos that defined bluegrass. With a sand-cast bell brass flathead tone ring, flame maple resonator, and ebony fretboard with hearts & flowers inlay, the OB-250/L delivers serious tone for the serious left-handed player. Includes a hard shell case and arrives with a professional factory setup from Gold Tone in Titusville, Florida.
This is the left-handed version of the Gold Tone OB-250+ Block — a professional-grade open-back-style Mastertone resonator banjo featuring the ultra-premium JLS #12 bell brass tone ring and a Made-in-America birch companion block rim. Built for serious bluegrass players who want pre-war tone without the pre-war price tag, it arrives at your door professionally set up at Gold Tone’s factory in Titusville, FL. Financing is available with no late fees.