This is the left-handed version of the Gold Tone EB-5 Electric Banjo — a uniquely practical instrument that brings authentic banjo tone to the stage without the feedback and volume limitations of an acoustic. Built around a contour-carved mahogany body, a Canadian maple neck, and a stacked humbucking pickup, it plays and sounds like nothing else in its price range. Includes a gig bag and ships with a professional setup from Banjo Warehouse.
This is the left-handed version of the Gold Tone EBM-5, a one-of-a-kind F-style 5-string electric banjo built for players who want genuine banjo feel and tone with the flexibility of electric amplification. With a dual-pickup system, hollow mahogany body, ebony fingerboard, and stunning tobacco sunburst finish, the EBM-5/L opens up a whole new sonic world for southpaw banjo players. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and includes a hard-shell case.
This is the left-handed version of the Gold Tone ES-Banjitar — a solid-body electric 6-string banjo tuned and played like a guitar, delivering authentic banjo snap and bite through a built-in hollow sound chamber and a dual-pickup system. Guitarists who want real banjo tone on stage without learning 5-string technique will find this instrument immediately familiar and endlessly expressive. Every ES-Banjitar/L ships with a professional factory setup from Gold Tone in Titusville, Florida.
This is the left-handed version of the Gold Tone GM-50+, a beautifully crafted A-style mandolin with a carved solid spruce top, curly maple back and sides, and a built-in Chop Saddle pickup — all for under $520. Inspired by the beloved club and orchestra mandolins of the early twentieth century, it combines vintage character with modern playability. It ships with a gig bag and has been professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone GRS, a Paul Beard-designed metal body resonator guitar with a built-in lipstick pickup and biscuit cone. It delivers that unmistakable resonator bark and warmth — perfect for blues, bluegrass, and slide work — with the added convenience of going straight into an amp when you need it. Lefties finally have a serious resonator option at a price that makes sense.
The Gold Tone GT-500/L is the left-handed version of Gold Tone's most popular 6-string banjitar — built for guitar players who want that unmistakable banjo snap and twang without relearning a new instrument. Featuring a maple rim, maple resonator, rosewood fingerboard, and Gold Tone's SMP Sliding Magnetic Pickup for powerful amplified tone, this is a serious instrument at a serious value. Every GT-500/L is professionally set up at Gold Tone's factory in Titusville, FL and comes with Gold Tone's HD15 hard case.
This is the left-handed version of the Gold Tone GT-750 Banjitar Deluxe — a premium six-string banjo guitar built for players who want serious volume, long sustain, and that unmistakable chime-y banjo voice through a guitar-style instrument. The 20-hole bell brass tone ring, curly maple resonator, and included SMP sliding magnetic pickup set it well apart from entry-level banjitars. Every GT-750/L ships with a professional factory setup from Gold Tone in Titusville, Florida, and a hard case is included.
This is the left-handed version of the Gold Tone HM-100 High Moon — a genuinely handcrafted openback banjo born inside Gold Tone's Titusville shop by master luthier Chris Pariso, who has been building and designing banjos there since 1995. Every one of the 60-plus components was shaped by hand, with no production machinery involved in the conception of this instrument. The result is a deeply personal banjo with real old-time soul — mahogany neck, ebony fingerboard, rolled brass flat-bar tone ring, and a resonant 12-inch maple rim that will only get better with age.
The Gold Tone IT-17/L is the left-handed version of Gold Tone's well-regarded Irish tenor banjo, built for session players who want strong projection, warm tone, and a modern folkternative aesthetic. Its 12" multi-ply maple rim and rolled brass flat bar tone ring produce a full, bass-rich voice that sits beautifully in traditional Irish and Celtic music. Every IT-17/L is professionally set up at Gold Tone's factory in Titusville, FL, so it arrives ready to play.
This is the left-handed version of the Gold Tone IT-19 Irish Tenor Banjo — a 19-fret, 12" open-back designed for session players who want warm projection with added bass presence. The 12" multi-ply maple rim and rolled brass flat bar tone ring give it a full, responsive voice that sits beautifully in a traditional Irish session. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and includes a gig bag.
This is the left-handed version of the Gold Tone IT-250, a 17-fret Irish tenor banjo tuned GDAE and built specifically for the plunky, cutting tone that Celtic session players demand. The Whyte Laydie tone ring, ebony fingerboard, and ZeroGlide nut make it a genuinely professional instrument at an accessible price. A hard case is included, and every IT-250F/L ships professionally set up at Gold Tone's factory in Titusville, FL.
The left-handed Gold Tone LS-6 is a faithful tribute to the legendary Oahu Tonemaster lap steel of the 1950s, built with a mahogany body, single-coil magnetic pickup, and a ZeroGlide nut — all in a stunning two-tone tobacco sunburst finish. It ships with a hardshell case and arrives professionally set up at Gold Tone's factory in Titusville, FL. If you're a left-handed player looking for an authentic vintage-voiced lap steel at a fair price, this is a serious instrument worth your attention.