Featured Banjos
The Gold Tone CC-100R is the best beginner banjo at this price. Maple neck and rim, rolled brass tone ring, two-way adjustable truss rod, and a convertible resonator/openback design. Professionally set up at Banjo Warehouse in Yellow Springs, Ohio. Gig bag included.
The four members of the Gold Tone banjo-ukulele choir (soprano, concert, tenor, and baritone) all utilize the same eight-inch maple-rimmed pot assembly and differ only in the scale lengths of their necks. All models feature Remo Weather King heads, maple necks with bound fingerboards, geared guitar-style tuners, and plate-style resonators.
Brand new Gold Tone Mastertone OB-2 Bowtie Banjo faithfully recreates legendary 1960s Mastertone bowtie banjos with rare 19-hole brass tone ring, mahogany neck, and golden sunburst finish. Professional bluegrass tone with modern reliability. Includes premium hard case.
In late 2018, Jake Stogdill and Robby Boone had a concept for replicating one of the most iconic banjos, played by one of the most iconic banjo players of all time, JD Crowe's original RB-3 ("Banger"). After extensive research and great attention to every detail, Gold Tone was able to rebirth this classic banjo as the OB-3.
The Gold Tone “Bluegrass Heart” Béla Fleck Signature Banjo is now a reality. Now YOU can play a professional-grade banjo that will provide the closest thing yet to the feel and the tone of Béla’s pre-war masterpiece.
The double-cut headstock, combined with the Hearts-and-Flowers inlay pattern, says it all. The OB-Standard respects the GOAT Bluegrass banjoist, Earl Scruggs, who played this banjo style for many years.
The CC-Banjitar was our first banjo guitar and its popularity remains strong due its unsurpassed combination of great build quality, valued features and low price.
This Carlin model was the first to be issued; it was the result of a meeting between Bob and Gold Tone president Wayne Rogers at the 2004 IBMA Fan Fest. All of the BC-350 features and dimensions are per Mr. Carlin's specifications (arrived at after several trips by Bob to the Gold Tone plant) and include a twelve-inch three-ply maple pot with an innovative dowel-stick/coordinator rod, a rolled brass tone ring, maple neck with scooped ebony fretboard, planetary-gear tuning machines, No Knot tailpiece and "hot-dog" armrest.
