The Gold Tone GT-500/L is the left-handed version of Gold Tone's most popular 6-string banjitar — built for guitar players who want that unmistakable banjo snap and twang without relearning a new instrument. Featuring a maple rim, maple resonator, rosewood fingerboard, and Gold Tone's SMP Sliding Magnetic Pickup for powerful amplified tone, this is a serious instrument at a serious value. Every GT-500/L is professionally set up at Gold Tone's factory in Titusville, FL and comes with Gold Tone's HD15 hard case.
This is the left-handed version of the Gold Tone GT-750 Banjitar Deluxe — a premium six-string banjo guitar built for players who want serious volume, long sustain, and that unmistakable chime-y banjo voice through a guitar-style instrument. The 20-hole bell brass tone ring, curly maple resonator, and included SMP sliding magnetic pickup set it well apart from entry-level banjitars. Every GT-750/L ships with a professional factory setup from Gold Tone in Titusville, Florida, and a hard case is included.
This is the left-handed version of the Gold Tone HM-100 High Moon — a genuinely handcrafted openback banjo born inside Gold Tone's Titusville shop by master luthier Chris Pariso, who has been building and designing banjos there since 1995. Every one of the 60-plus components was shaped by hand, with no production machinery involved in the conception of this instrument. The result is a deeply personal banjo with real old-time soul — mahogany neck, ebony fingerboard, rolled brass flat-bar tone ring, and a resonant 12-inch maple rim that will only get better with age.
The Gold Tone IT-17/L is the left-handed version of Gold Tone's well-regarded Irish tenor banjo, built for session players who want strong projection, warm tone, and a modern folkternative aesthetic. Its 12" multi-ply maple rim and rolled brass flat bar tone ring produce a full, bass-rich voice that sits beautifully in traditional Irish and Celtic music. Every IT-17/L is professionally set up at Gold Tone's factory in Titusville, FL, so it arrives ready to play.
This is the left-handed version of the Gold Tone IT-19 Irish Tenor Banjo — a 19-fret, 12" open-back designed for session players who want warm projection with added bass presence. The 12" multi-ply maple rim and rolled brass flat bar tone ring give it a full, responsive voice that sits beautifully in a traditional Irish session. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and includes a gig bag.
This is the left-handed version of the Gold Tone IT-250, a 17-fret Irish tenor banjo tuned GDAE and built specifically for the plunky, cutting tone that Celtic session players demand. The Whyte Laydie tone ring, ebony fingerboard, and ZeroGlide nut make it a genuinely professional instrument at an accessible price. A hard case is included, and every IT-250F/L ships professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone Mastertone Banjolele-DLX, a concert-scale banjo ukulele built as a faithful replica of one of the most celebrated banjo-uke designs ever made — the kind George Formby made famous on the British music hall stage. A one-piece cast flange, deep-wall resonator, and rolled brass flat-bar tone ring give it genuine projection and that signature pop-and-snap blend of uke sweetness and banjo clarity. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and a gig bag included.
The Gold Tone MB-850+/L is the left-handed version of Gold Tone's premium banjolin — a faithful recreation of the 1920s mandolin-banjo with an 11-inch brass tone ring pot and removable maple resonator. Tuned GDAE like a mandolin but with the bright, projecting voice of a banjo, it's an ideal instrument for old-time, Celtic, jug band, or any player who wants something genuinely different. Every one ships with a gig bag and professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone ML-1 Missing Link baritone banjo — a genuinely rare instrument co-designed by Béla Fleck to fill the sonic gap between a standard five-string and a cello banjo. Tuned to open C (CGCEG), it delivers a deep, warm, orchestral voice unlike anything else on the market, built around a 12-inch maple rim with a rolled brass flat-bar tone ring. Every ML-1/L is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone MM-150 Maple Mountain — a beautifully appointed openback banjo built for old-time, clawhammer, and frailing players who demand professional-grade features without the premium price tag. Equipped with a Whyte Laydie-style brass tone ring, planetary tuners, a rosewood fingerboard with a frailing scoop, and an 11" Remo Renaissance head, the MM-150/L arrives with a hardshell case and a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone OB-150/L is the left-handed version of the acclaimed Orange Blossom banjo — a pre-war-inspired flathead that delivers authentic bluegrass tone at a price that won't break the bank. Built on a three-ply maple rim with a one-piece cast flange and a bell brass flathead tone ring, it captures the voice of the vintage originals without the vintage price tag. Every OB-150/L ships with a professional factory setup from Gold Tone in Titusville, Florida, a hard case included, and Gold Tone's transferable lifetime warranty.
This is the left-handed version of the Gold Tone OB-150RF Orange Blossom — a pre-war-inspired flathead bluegrass banjo built around a bell brass tone ring, three-ply maple rim, and one-piece cast flange, all at a price that makes authentic Scruggs-style tone genuinely accessible. With a maple neck, rosewood fingerboard, vintage pearloid inlays, and a satin Vintage Brown finish, the OB-150RF/L delivers the look and feel of the classic originals without the five-figure price tag. Every instrument ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hard case.












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