The Gold Tone CC-Plectrum is a beautifully built 22-fret, four-string plectrum banjo that sits right in the sweet spot between tenor and five-string — ideal for jazz, Celtic, pop, and beyond. It ships with a gig bag and features a removable resonator so you can play it open-back or closed depending on the setting. Every CC-Plectrum receives a professional factory setup at Gold Tone in Titusville, Florida before it ships to you.
The Gold Tone CC-Tenor is a 19-fret tenor banjo built for players who want quality construction, great tone, and versatility — whether you're playing Dixieland jazz, Celtic tunes, or just strumming for fun. It features a removable resonator, rolled brass flat bar tone ring, and a natural high-gloss maple neck, all at a price that's genuinely accessible. Every CC-Tenor we ship has been professionally set up at Gold Tone's factory in Titusville, FL so it plays its best right out of the box.
The Gold Tone CEB-4/L is the left-handed version of Marcy Marxer's signature cello banjo — a beautifully voiced instrument tuned in fifths (CGDA) that brings the warmth of a forgotten era back to modern players. Its 14-inch rolled brass flat bar tone ring, ebony fingerboard, and high-tension nylon strings deliver punchy, articulate low-register tone that works equally well for lead playing and accompaniment. Comes with a case and professionally set up at Gold Tone's factory in Titusville, FL.
The Gold Tone CEB-5 Marcy Marxer Signature Cello Banjo revives a lost voice from the early twentieth century banjo orchestra tradition, tuned in fifths (CGDA) with a 14-inch rolled brass flat bar tone ring that delivers rich, punchy low-end clarity. With its shortened 24-3/4" scale, high-tension nylon strings, and ebony fingerboard, it welcomes mandolin, mandola, viola, and cello players instantly while opening up entirely new sonic territory for any musician. Every CEB-5 is professionally set up at Gold Tone's factory in Titusville, FL and includes a hardshell case.
The Gold Tone HM-100 High Moon is a truly one-of-a-kind openback banjo born from decades of hands-on luthiery at Gold Tone's Titusville, Florida shop — hand-conceived by master builder Chris Pariso with zero machinery involved in its original development. With an ebony fingerboard, rolled brass flat bar tone ring, Trillium bridge, and mahogany satin finish, it delivers the warm, focused tone that old-time players dream about. A hardshell case is included, and every HM-100 receives a professional factory setup at Gold Tone in Titusville, Florida before shipping.
This is the left-handed version of the Gold Tone HM-100 High Moon — a genuinely handcrafted openback banjo born inside Gold Tone's Titusville shop by master luthier Chris Pariso, who has been building and designing banjos there since 1995. Every one of the 60-plus components was shaped by hand, with no production machinery involved in the conception of this instrument. The result is a deeply personal banjo with real old-time soul — mahogany neck, ebony fingerboard, rolled brass flat-bar tone ring, and a resonant 12-inch maple rim that will only get better with age.
The Gold Tone IT-17/L is the left-handed version of Gold Tone's well-regarded Irish tenor banjo, built for session players who want strong projection, warm tone, and a modern folkternative aesthetic. Its 12" multi-ply maple rim and rolled brass flat bar tone ring produce a full, bass-rich voice that sits beautifully in traditional Irish and Celtic music. Every IT-17/L is professionally set up at Gold Tone's factory in Titusville, FL, so it arrives ready to play.
This is the left-handed version of the Gold Tone Mastertone Banjolele-DLX, a concert-scale banjo ukulele built as a faithful replica of one of the most celebrated banjo-uke designs ever made — the kind George Formby made famous on the British music hall stage. A one-piece cast flange, deep-wall resonator, and rolled brass flat-bar tone ring give it genuine projection and that signature pop-and-snap blend of uke sweetness and banjo clarity. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and a gig bag included.
The Gold Tone ML-1 Missing Link is a one-of-a-kind baritone banjo born from a collaboration between Béla Fleck and Gold Tone president Wayne Rogers, designed to fill the sonic gap between a standard five-string and a cello banjo. Tuned to open C (CGCEG), it features a 12-inch maple rim, rolled brass flat bar tone ring, ebony fingerboard with Béla's own art nouveau inlay, and a Zero Glide nut — all wrapped in a stunning vintage brown high-gloss finish. Every ML-1 ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hardshell case.
This is the left-handed version of the Gold Tone ML-1 Missing Link baritone banjo — a genuinely rare instrument co-designed by Béla Fleck to fill the sonic gap between a standard five-string and a cello banjo. Tuned to open C (CGCEG), it delivers a deep, warm, orchestral voice unlike anything else on the market, built around a 12-inch maple rim with a rolled brass flat-bar tone ring. Every ML-1/L is professionally set up at Gold Tone's factory in Titusville, FL.
The OB-100 is a lightweight RB-100 tribute with rolled brass tone ring, one-piece flange, and classic styling. Just 8.2 lbs. Greg Rich design.
The Gold Tone OB-2 JM Joe Mullins Signature Banjo delivers authentic 1960s Mastertone bowtie tone with modern reliability. Featuring a rolled brass tone ring, maple resonator with golden sunburst finish, mahogany neck, and premium Gotoh tuners.