Gold Tone CEB-5 Marcy Marxer Signature Cello Banjo with Case

There are instruments that fill a room in ways you never expected, and the Gold Tone CEB-5 Marcy Marxer Signature Cello Banjo is absolutely one of them. The cello banjo was a fixture in early twentieth century banjo orchestras and clubs, then vanished almost entirely by 1930. Gold Tone brought it back in close collaboration with the extraordinary multi-instrumentalist Marcy Marxer — a Grammy-winning artist whose command of stringed instruments is genuinely rare — and the result is something that genuinely earns the word “unique.” Tuned in fifths to CGDA, the CEB-5 occupies a low, warm register that no five-string or tenor banjo touches, and it works equally well as a lead voice or a driving accompaniment instrument. Whether you’re playing old-time, jazz, Celtic, or something you’re inventing right now, this banjo opens a door you didn’t know was there.

The construction here is serious. The 14-inch multi-ply maple rim is fitted with a rolled brass flat bar tone ring that gives those low CGDA notes real punch and projection without muddiness — you can hear every note articulate cleanly even at the bottom of the range. The ebony fingerboard carries Weymann Vintage inlays and sits on a neck with a two-way adjustable truss rod, so the instrument stays in proper playing condition across seasonal changes. The 24-3/4″ scale is noticeably shorter than a standard five-string, which makes left-hand fingering comfortable and chord shapes feel approachable even for players coming from shorter-scale instruments. High-tension nylon strings give the CEB-5 its characteristic punchy, dynamic voice while remaining genuinely easy on the fingertips. A Terminator tailpiece, notched tension hoop, ZeroGlide nut, and 32-bracket arrangement round out a package that Gold Tone has clearly thought through from top to bottom. Nickel hardware finishes the look cleanly against the Vintage Brown high-gloss finish. A hardshell case is included.

Each instrument receives a professional setup at Gold Tone’s factory in Titusville, Florida before it ships to you. On a cello banjo — which many players are encountering for the first time — a proper setup matters enormously. The neck relief is checked and adjusted via the two-way truss rod, the action at the nut and bridge is set for comfortable playability across the full fingerboard, intonation is verified, and head tension is dialed in for optimal tone. You receive an instrument that is genuinely ready to play, not one that needs a trip to a repair shop before you can enjoy it.

Why Buy From Banjo Warehouse

Banjo Warehouse is an authorized Gold Tone dealer, which means every CEB-5 we sell comes with full manufacturer warranty coverage and is a genuine, current-production instrument. The CEB-5 is one of those. We want every player — whether you’re a seasoned pro exploring new tonal territory or a cellist curious about the banjo world — to feel confident in this purchase. Financing is available through PayPal Pay in 4 and 3, 6, 12, or 24-month plans with no late fees, plus Afterpay, so you can bring this instrument home on a schedule that works for you.

Gold Tone CEB-5 Specifications

Frequently Asked Questions

I play cello or viola — how quickly can I adapt to the CEB-5?

Very quickly, in my experience. The CEB-5 is tuned in fifths to CGDA, which is exactly the same interval relationship as the cello and viola, so your left-hand muscle memory for scales, arpeggios, and chord shapes transfers almost immediately. The 24-3/4″ scale is shorter than a full cello but longer than a viola, so it feels right in the hands of players from either instrument. The main adjustment is the banjo head response under the bow — though most players use a pick or fingers — and getting used to the nylon strings after steel or gut. Most classically trained string players are playing real music on the CEB-5 within an hour.

Can the CEB-5 hold its own in an ensemble or session setting?

Absolutely. The 14-inch rolled brass flat bar tone ring gives the low register surprising punch and projection. In a string band or small ensemble context the CEB-5 cuts through clearly without needing amplification in most room sizes. The Remo Renaissance head contributes a warm, slightly mellowed banjo voice that blends beautifully with fiddles, mandolins, and guitars. Players have used cello banjos in old-time, jazz, Celtic, and even classical settings — it is genuinely versatile once people in the room hear what it does.

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