There are resonator guitars, and then there is the Gold Tone PBR-CA — a Paul Beard Signature-Series roundneck built with the components that Paul Beard himself uses in his own shop. The heart of this instrument is a genuine US-made Beard resonator cone paired with a Beard spider bridge and Paul Beard’s signature “open” soundwell design. That soundwell geometry is what separates a Beard-equipped instrument from the crowd: it allows the cone to breathe more freely, producing a tone that is simultaneously sweeter in the mids and more articulate on the attack than a conventional resonator setup. The result is exactly the voice you want for country blues, slide work in standard tuning, and fingerstyle solos — rich enough to fill a room acoustically, detailed enough to reward close listening on a recording. The mahogany body and neck add warmth and sustain without muddying the characteristic metal shimmer of the resonator, and the tobacco sunburst high-gloss finish gives the whole package a classic, road-worthy elegance.
Construction details matter on an instrument at this level, and Gold Tone has been thoughtful throughout. The 1-3/4″ ZeroGlide nut keeps open strings in tune with fretted notes — a small detail that makes a real difference in intonation, especially for players who use a lot of open-chord voicings. The rosewood fingerboard with dot inlays feels familiar and comfortable under the fingers, the sealed guitar-style tuners hold pitch reliably, and the two-way adjustable truss rod means the neck can be dialed in precisely for any string gauge or climate. The Paul Beard 6-string tailpiece and maple bridge with ebony insert complete a hardware package that is cohesive, purposeful, and built to last. Chrome plating and cream ABS binding finish the aesthetic cleanly. At 6.2 lbs on a 25″ scale, the PBR-CA sits comfortably in the hands for long sessions, whether you are playing on a front porch or a festival stage.
Each instrument receives a professional setup at Gold Tone’s factory in Titusville, Florida before it ships to you. The setup includes checking and adjusting neck relief via the two-way truss rod, setting action at the nut and bridge for optimal playability, verifying intonation across the full scale length, inspecting the cone and spider seating for proper resonance, and ensuring the included hardshell case fits and latches correctly. You receive an instrument that is genuinely ready to play the moment you open the case — not one that needs a trip to a tech before it sounds right.
Why Buy From Banjo Warehouse
Banjo Warehouse is an authorized Gold Tone dealer, which means every instrument we sell comes with full manufacturer warranty support and you are buying from a source Gold Tone stands behind. I have been in the fretted instrument business for more than 45 years — I co-own Watch & Learn in Atlanta, wrote Banjo Primer (the top-rated beginner banjo method), and co-designed the OB-Standard with Gold Tone — so when I stock an instrument, it is because I genuinely believe in it. The Paul Beard Signature resonator line represents some of the most honest value in the resonator world at this price point, and the PBR-CA is the one I recommend to players who want authentic Beard components without commissioning a custom build. Financing is available through PayPal Pay in 4, Afterpay, and 3, 6, 12, or 24-month plans with no late fees, so you can bring this guitar home on your schedule.
Gold Tone PBR-CA Specifications
| Headstock Buttons | Metal |
| Nut Width | 1-3/4″ ZeroGlide Nut |
| Tuners | Sealed Guitar-Style |
| Neck Material | Mahogany |
| Fingerboard | Rosewood |
| Frets | 19 |
| Inlay | Dot |
| Truss Rod | Two-Way Adjustable |
| Top | Mahogany |
| Back & Sides | Mahogany |
| Binding | Cream ABS |
| Bridge | Maple with Ebony Insert |
| Cone & Spider | Genuine US-Made Beard |
| Finish | Tobacco Sunburst / High Gloss |
| Hardware | Chrome Plated |
| Tailpiece | Paul Beard 6-String |
| Scale Length | 25″ |
| Weight | 6.2 lbs. |
| String Gauge | .056w, .045w, .035w, .024w, .016, .012 |
| Tuning | EADGBE (Standard) |
| Case | Hardshell Case Included |
Frequently Asked Questions
What makes the Paul Beard open soundwell different from a standard resonator guitar setup?
Paul Beard’s open soundwell design gives the resonator cone more room to vibrate freely compared to a conventional well. The practical effect is a tone with more complexity and sustain — the wood warmth of the mahogany body blends into the metallic ring of the cone rather than competing with it. Players often describe Beard-equipped instruments as having a “singing” quality in the mids that makes them especially well-suited to fingerstyle country blues and melodic lead work. It is not louder for the sake of loudness; it is more responsive and more musical across the dynamic range.
Is the PBR-CA suitable for lap-style slide playing, or is it strictly a neck-guitar played in standard position?
The PBR-CA is a roundneck resonator, which means it is designed to be played in standard guitar position — either fingerstyle or with a fingerpick set — rather than flat on the lap with a bar slide. The 1-3/4″ ZeroGlide nut and comfortable 25″ scale make it a natural neck-guitar, and the action is optimized for fretting. If you want lap-style or Hawaiian-style playing, you would want to look at a squareneck resonator instead. That said, many players do use a finger slide or bottleneck on a roundneck in standard position, and the Beard cone responds beautifully to that approach as well.
Does the included case offer adequate protection for travel?
Yes. The PBR-CA ships with a full hardshell case — not a gig bag — which provides solid protection for regional travel, fly dates with checked baggage, and everyday transport. The case fit is verified as part of the factory setup process to make sure the instrument is secure inside with no excess movement. For air travel we always recommend adding a layer of bubble wrap around the headstock and loosening the strings slightly to reduce tension during pressure changes, but the case itself is a genuinely road-worthy unit appropriate for working musicians.
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