Recording King's Dirty 30s A-style mandolin with a solid spruce top and maple back and sides, built for classic old-time chop in a bold satin black finish.
Recording King's Dirty 30s A-style mandolin with a solid spruce top and maple back and sides, finished in a rustic satin tobacco sunburst.
Recording King's flagship pre-war tribute in the classic Hearts and Flowers pattern: a one-piece mahogany resonator, Mastertone-style bell-brass tone ring and pearl inlay, with a vintage hardshell case included.
An open-back old-time banjo with a steam-bent maple rim and a scooped padauk fretboard built for clawhammer players who want room to work up the neck.
A mahogany resonator banjo built in the same workshops as the Madison and Elite lines, with a rolled brass tone ring and hex-stamped flange for vintage bluegrass tone at an accessible price.
A Madison-series resonator banjo sharing the R35's pre-war-style bell brass tone ring and one-piece flange, with mahogany throughout for a warmer, deeper voice.
Recording King's entry point into closed-back bluegrass tone: a maple resonator banjo with Revebond fretboard and Presto-style tailpiece, built for singer-songwriters and first-time five-string players.
A no-fuss open-back five-string with a mahogany neck and traditional rolled brass tone ring, built for warm, dry old-time and clawhammer playing.
Recording King's roundneck tricone resonator guitar, with three hand-spun aluminum cones in a nickel-plated bell brass body for a sweeter, layered voice built for slide and blues players.
The squareneck version of Recording King's tricone resonator, built for lap-style and slide playing, with three hand-spun aluminum cones in a nickel-plated bell brass body.
Recording King's Swamp Dog in a parlor-size body, a nickel-plated bell brass resonator with the same 9.5" hand-spun cone as the full-size model, punchier and more portable.
The Swamp Dog Parlor in a distressed vintage green finish, a nickel-plated bell brass resonator with a 9.5" hand-spun cone and a patina no two guitars share.