The Gold Tone GM-80 is an F-style mandolin built for players who want serious tone and playability without the serious price tag — a solid Sitka spruce top, solid curly maple back and sides, ebony fingerboard, and gold-plated hardware combine to deliver focused projection, clear articulation, and a beautifully broken-in satin cherry burst finish. Whether you are just crossing over from guitar or already gigging roots and bluegrass stages, the GM-80 rewards every level of player with consistent, reliable response. It arrives factory set up by Gold Tone in Titusville, Florida, and includes a fitted case.
The Gold Tone GME-4 is a double-cutaway solid body electric mandolin built for players who want mandolin voice with serious electric punch — perfect for Texas Swing, hillbilly jazz, rockabilly, or anywhere feedback-free amplified tone matters. A dual-rail mini humbucker, compensated metal bridge, and slim maple neck make this a genuinely versatile working instrument. It ships with a padded gig bag and arrives professionally set up at the Gold Tone factory in Titusville, Florida.
This is the left-handed version of the Gold Tone GME-4, a double-cutaway solid body electric mandolin built for players who want real amplified grunt — from Texas Swing and hillbilly jazz to rock and roll. The alder body, dual-rail mini humbucker, and ZeroGlide nut make this a serious working instrument at a seriously approachable price. Includes a padded gig bag and is professionally set up at the Gold Tone factory in Titusville, Florida before shipping.
The Gold Tone GME-5 is a double-cutaway solid body electric mandolin built for players who want mandolin voice with electric punch — equally at home in Texas Swing, hillbilly jazz, or a full-band rock setting. A dual-rail mini humbucker delivers warm, feedback-free tone, while the slim maple neck and radiused fretboard make it one of the most comfortable electrics in this price range. Every GME-5 receives a professional factory setup at Gold Tone in Titusville, Florida before it ships.
This is the left-handed version of the Gold Tone GME-5, a double-cutaway solid alder electric mandolin built for players who want real amplified grunt without feedback. Fitted with a dual-rail mini humbucker, chrome hardware, and a ZeroGlide nut, it's equally at home in Texas Swing, hillbilly jazz, or a flat-out rock setting. Includes a padded gig bag and ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone GME-6 is a 6-string solid body electric mando-guitar tuned EADGBE, just like a standard guitar, but on a 13-7/8" mandolin-scale neck. A dual-rail mini humbucker delivers warm, feedback-free tone through a solid alder body, and the slim maple neck makes it immediately comfortable for guitarists who want mandolin-scale voicings without learning a new tuning. Every GME-6 is professionally set up at Gold Tone's factory in Titusville, FL. Padded gig bag included.
This is the left-handed version of the Gold Tone GME-6, a double-cutaway solid body electric mandolin built for players who want real amplified punch without feedback. With a dual-rail mini humbucker, compensated metal bridge, and slim maple neck, it covers everything from Texas Swing and hillbilly jazz to rock and roll. Includes a padded gig bag and arrives professionally set up at the Gold Tone factory in Titusville, Florida.
The Gold Tone GRE is a Paul Beard-designed metal body resonator guitar built for players who want authentic cone-driven tone, real projection, and the kind of road-worthy durability that holds up night after night. Whether you're playing Delta blues, old-time, or bluegrass, the biscuit-style cone and built-in lipstick pickup give you acoustic power and stage-ready versatility in one instrument. Every GRE ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone GRS is a biscuit-cone resonator guitar built with a steel body and a genuine Paul Beard tailpiece, delivering that raw, cutting tone that blues and bluegrass players live for. It comes loaded with a lipstick pickup so you can go from front-porch acoustic volume to a full stage mix without missing a beat. Every GRS is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone GRS, a Paul Beard-designed metal body resonator guitar with a built-in lipstick pickup and biscuit cone. It delivers that unmistakable resonator bark and warmth — perfect for blues, bluegrass, and slide work — with the added convenience of going straight into an amp when you need it. Lefties finally have a serious resonator option at a price that makes sense.
The Gold Tone GT-500 is the premier 6-string banjitar for guitar players who want to explore the banjo world without relearning the fretboard — it plays in standard EADGBE tuning and comes loaded with the Gold Tone SMP Sliding Magnetic Pickup for serious plugged-in tone. Built with a maple rim, maple resonator, and a comfortable maple neck topped with a radiused rosewood fingerboard, this instrument delivers killer acoustic projection alongside full-range amplified fidelity. Every GT-500 ships with a professional factory setup from Gold Tone in Titusville, Florida and includes the Gold Tone HD15 hard case.
The Gold Tone GT-500/L is the left-handed version of Gold Tone's most popular 6-string banjitar — built for guitar players who want that unmistakable banjo snap and twang without relearning a new instrument. Featuring a maple rim, maple resonator, rosewood fingerboard, and Gold Tone's SMP Sliding Magnetic Pickup for powerful amplified tone, this is a serious instrument at a serious value. Every GT-500/L is professionally set up at Gold Tone's factory in Titusville, FL and comes with Gold Tone's HD15 hard case.