This is the left-handed version of the Gold Tone OB-150RF Orange Blossom — a pre-war-inspired flathead bluegrass banjo built around a bell brass tone ring, three-ply maple rim, and one-piece cast flange, all at a price that makes authentic Scruggs-style tone genuinely accessible. With a maple neck, rosewood fingerboard, vintage pearloid inlays, and a satin Vintage Brown finish, the OB-150RF/L delivers the look and feel of the classic originals without the five-figure price tag. Every instrument ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hard case.
The Gold Tone OB-2 JM Joe Mullins Signature Banjo delivers authentic 1960s Mastertone bowtie tone with modern reliability. Featuring a rolled brass tone ring, maple resonator with golden sunburst finish, mahogany neck, and premium Gotoh tuners.
This is the left-handed version of the Gold Tone OB-2 Mastertone Bowtie — a historically inspired flathead banjo celebrating the legendary bowtie era of 1960 to mid-1964, complete with a rare 19-hole bell brass tone ring, ebony fingerboard, and nickel-plated hardware. Built for serious left-handed players who want authentic vintage Mastertone character at a price that doesn't require a museum budget. Every OB-2/L ships with a professional factory setup from Gold Tone in Titusville, Florida and includes a hard case.
The Gold Tone OB-250 Orange Blossom is a professional-grade flathead banjo built to evoke the legendary pre-WWII instruments that powered the sounds of Earl Scruggs, Don Reno, and J.D. Crowe. A sand-cast bell brass flathead tone ring, one-piece cast flange, multi-ply maple rim, and an extra-deep curly maple resonator give this banjo the focused punch and warm low-end that serious players demand. It ships with a hardshell case and receives a professional factory setup at Gold Tone in Titusville, Florida before shipping.
This is the left-handed version of the Gold Tone OB-250 Orange Blossom — a professional flathead banjo built to evoke the great pre-WWII resonator banjos that defined bluegrass. With a sand-cast bell brass flathead tone ring, flame maple resonator, and ebony fretboard with hearts & flowers inlay, the OB-250/L delivers serious tone for the serious left-handed player. Includes a hard shell case and arrives with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone OB-250+ Block is an American-made professional bluegrass banjo built around the legendary JLS #12 bell brass tone ring and a birch block rim — a combination that delivers the deep, powerful voice of pre-war originals at a fraction of the cost. With a curly maple neck, ebony fingerboard, hearts-and-flowers inlay, and Gotoh planetary tuners, this is a serious working instrument for the serious player. Every OB-250+ Block is professionally set up at Gold Tone’s factory in Titusville, FL, and includes a hard shell case.
This is the left-handed version of the Gold Tone OB-250+ Block — a professional-grade open-back-style Mastertone resonator banjo featuring the ultra-premium JLS #12 bell brass tone ring and a Made-in-America birch companion block rim. Built for serious bluegrass players who want pre-war tone without the pre-war price tag, it arrives at your door professionally set up at Gold Tone’s factory in Titusville, FL. Financing is available with no late fees.
The Gold Tone OB-250+ is a professional-grade bluegrass banjo built around the extraordinary JLS #12 bell brass tone ring — a flat-top, 20-hole ring cast by master founder Jim Stull to replicate the bronze alloy chemistry of the most coveted pre-war originals. Paired with a curly maple neck, ebony fingerboard, flame maple resonator, and Gotoh planetary tuners, this is a serious instrument at a fraction of vintage prices. Every OB-250+ is professionally set up at Gold Tone's factory in Titusville, FL, and a hard case is included.
The discontinued Gold Tone OB-250+ TP pairs a genuine Tony Pass banjo rim — the same rim Geoff Stelling used as standard equipment on every Stelling banjo for roughly the last twenty years of his career — with a JLS #12 bell brass tone ring for a pot assembly of extraordinary depth, sustain, and woody resonance. Gold Tone retired this configuration after Tony Pass passed away in 2016 and the rim supply ended.
This is the left-handed version of the Gold Tone OB-250+, a serious professional bluegrass banjo built around the extraordinary JLS #12 bell brass tone ring — a modern recreation of the pre-war sound that serious pickers have chased for decades. With a curly maple neck, ebony fingerboard, flame maple resonator, and Gotoh planetary tuners, it delivers that deep, focused, pre-war voice at a fraction of vintage prices. Every OB-250+/L is professionally set up at Gold Tone's factory in Titusville, FL.
The Gold Tone OB-250LW Lightweight is a professional-grade flathead banjo built to evoke the legendary prewar sound that drove Earl Scruggs, Don Reno, and J.D. Crowe — featuring a sand-cast bell brass flathead tone ring, one-piece cast flange, and an extra-deep curly maple resonator. Every OB-250LW ships with a professional factory setup from Gold Tone in Titusville, Florida. A hard shell case is included, and flexible financing is available.
The Gold Tone OB-2AT is a faithful tribute to the legendary bowtie-era Mastertone banjos of 1960–1964, built around the historically accurate 19-hole flathead bell brass tone ring that defined the peak of that era's craftsmanship. With a mahogany neck, ebony fingerboard, one-piece cast flange, nickel-plated hardware, and a gorgeous Golden Sunburst finish, this is a serious professional instrument with deep roots in American banjo history. Every OB-2AT ships with a professional factory setup from Gold Tone in Titusville, Florida.