The Gold Tone GME-5 is a double-cutaway solid body electric mandolin built for players who want mandolin voice with electric punch — equally at home in Texas Swing, hillbilly jazz, or a full-band rock setting. A dual-rail mini humbucker delivers warm, feedback-free tone, while the slim maple neck and radiused fretboard make it one of the most comfortable electrics in this price range. Every GME-5 receives a professional factory setup at Gold Tone in Titusville, Florida before it ships.
This is the left-handed version of the Gold Tone GME-6, a double-cutaway solid body electric mandolin built for players who want real amplified punch without feedback. With a dual-rail mini humbucker, compensated metal bridge, and slim maple neck, it covers everything from Texas Swing and hillbilly jazz to rock and roll. Includes a padded gig bag and arrives professionally set up at the Gold Tone factory in Titusville, Florida.
The Gold Tone GRS is a biscuit-cone resonator guitar built with a steel body and a genuine Paul Beard tailpiece, delivering that raw, cutting tone that blues and bluegrass players live for. It comes loaded with a lipstick pickup so you can go from front-porch acoustic volume to a full stage mix without missing a beat. Every GRS is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone GRS, a Paul Beard-designed metal body resonator guitar. It delivers that unmistakable resonator bark and warmth — perfect for blues, bluegrass, and slide work. Lefties finally have a serious resonator option at a price that makes sense.
The Gold Tone GT-500 is the premier 6-string banjitar for guitar players who want to explore the banjo world without relearning the fretboard — it plays in standard EADGBE tuning and comes loaded with the Gold Tone SMP Sliding Magnetic Pickup for serious plugged-in tone. Built with a maple rim, maple resonator, and a comfortable maple neck topped with a radiused rosewood fingerboard, this instrument delivers killer acoustic projection alongside full-range amplified fidelity. Every GT-500 ships with a professional factory setup from Gold Tone in Titusville, Florida and includes the Gold Tone HD15 hard case.
The Gold Tone GT-500/L is the left-handed version of Gold Tone's most popular 6-string banjitar — built for guitar players who want that unmistakable banjo snap and twang without relearning a new instrument. Featuring a maple rim, maple resonator, rosewood fingerboard, and Gold Tone's SMP Sliding Magnetic Pickup for powerful amplified tone, this is a serious instrument at a serious value. Every GT-500/L is professionally set up at Gold Tone's factory in Titusville, FL and comes with Gold Tone's HD15 hard case.
The Gold Tone GT-750 Banjitar Deluxe is the premium step up in Gold Tone's six-string banjo guitar lineup, featuring a 20-hole bell brass tone ring for chime-y tone, exceptional sustain, and focused volume that the step-down GT-500 simply can't match. Built with a fully-bound curly maple resonator, a maple neck, and a radiused rosewood fingerboard, this instrument is equally at home on stage or in the studio. It ships with a Gold Tone SMP Sliding Magnetic Pickup with volume control and a hard case — everything a guitarist ready to explore banjo tone needs right out of the box.
This is the left-handed version of the Gold Tone GT-750 Banjitar Deluxe — a premium six-string banjo guitar built for players who want serious volume, long sustain, and that unmistakable chime-y banjo voice through a guitar-style instrument. The 20-hole bell brass tone ring, curly maple resonator, and included SMP sliding magnetic pickup set it well apart from entry-level banjitars. Every GT-750/L ships with a professional factory setup from Gold Tone in Titusville, Florida, and a hard case is included.
On order from Gold Tone. We don't have this one in the warehouse right now — placing an order reserves you a unit from the incoming batch. Lead times vary by model, so get in touch before you buy and we'll tell you where this run currently stands. Your payment is fully refundable at any time before your order ships, for any reason and with no restocking fee.
The Gold Tone GT-Weissenborn brings the hauntingly beautiful voice of traditional Hawaiian lap steel guitar to players at an accessible price point. Built with a all-sapele body, ebony bridge, and bone saddle, this hollow-neck slide guitar delivers that warm, singing tone that made the Weissenborn style legendary. Every one ships with a professional factory setup from Gold Tone in Titusville, Florida, and financing is available so you can start playing today.
The left-handed Gold Tone GT-Weissenborn is the most affordable way into a genuine hollow-neck Hawaiian slide guitar: all-mahogany satin construction, flush maple frets, Grover Stay-Tite tuners. Ships with a gig bag. Open G and open D tunings only.
On order from Gold Tone. We don't have this one in the warehouse right now — placing an order reserves you a unit from the incoming batch. Lead times vary by model, so get in touch before you buy and we'll tell you where this run currently stands. Your payment is fully refundable at any time before your order ships, for any reason and with no restocking fee.
The Gold Tone HM-100 High Moon is a truly one-of-a-kind openback banjo born from decades of hands-on luthiery at Gold Tone’s Titusville, Florida shop — hand-conceived by master builder Chris Pariso with zero machinery involved in its original development. With an ebony fingerboard, rolled brass flat bar tone ring, Trillium bridge, and mahogany satin finish, it delivers the warm, focused tone that old-time players dream about. A hardshell case is included, and every HM-100 receives a professional factory setup at Gold Tone in Titusville, Florida before shipping.
This is the left-handed version of the Gold Tone HM-100 High Moon — a genuinely handcrafted openback banjo born inside Gold Tone's Titusville shop by master luthier Chris Pariso, who has been building and designing banjos there since 1995. Every one of the 60-plus components was shaped by hand, with no production machinery involved in the conception of this instrument. The result is a deeply personal banjo with real old-time soul — mahogany neck, ebony fingerboard, rolled brass flat-bar tone ring, and a resonant 12-inch maple rim that will only get better with age.