This is the left-handed version of the Gold Tone EBM-5, a one-of-a-kind F-style 5-string electric banjo built for players who want genuine banjo feel and tone with the flexibility of electric amplification. With a dual-pickup system, hollow mahogany body, ebony fingerboard, and stunning tobacco sunburst finish, the EBM-5/L opens up a whole new sonic world for southpaw banjo players. Every instrument ships professionally set up at Gold Tone's factory in Titusville, FL and includes a hard-shell case.
The Gold Tone EBT is a one-of-a-kind 5-string electric banjo built into a mahogany T-style body with a tobacco sunburst flame maple top — and it still sounds like a banjo even before you plug it in. Dual pickups (a hidden humbucker under the head and a single-coil at the neck) give you a wide tonal palette that bridges country, Americana, and beyond. Every EBT ships with a professional factory setup from Gold Tone in Titusville, Florida.
This is the left-handed version of the Gold Tone ES-Banjitar — a solid-body electric 6-string banjo tuned and played like a guitar, delivering authentic banjo snap and bite through a built-in hollow sound chamber and a dual-pickup system. Guitarists who want real banjo tone on stage without learning 5-string technique will find this instrument immediately familiar and endlessly expressive. Every ES-Banjitar/L ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone ES-Banjitar is a solid-body electric 6-string banjo tuned and played just like a guitar, giving guitarists instant access to authentic banjo tone without learning a new tuning or technique. A hollow sound chamber built into the body delivers real banjo resonance even unplugged, while a single-coil neck pickup and an SMP humbucker under the head give you a wide tonal palette on stage or in the studio. Includes a hard case and ships with a professional factory setup from Gold Tone in Titusville, Florida.
The Gold Tone F-6/L is a six-string mando-guitar tuned to standard EADGBE — think of it as a guitar that shrank just enough to be genuinely fun, with a solid spruce top, F-style maple body, 15″ scale, and a built-in bridge transducer pickup. It plays guitar chords and riffs with a bright, punchy voice that cuts through any mix, and it comes ready to plug in and play. A hard foam case is included, and every F-6/L ships with a professional factory setup from Gold Tone in Titusville, Florida.
Clip-on tuner made with Béla Fleck, with chromatic, guitar, bass, ukulele and violin modes.
This is the left-handed version of the Gold Tone GM-10 Frypan mandolin — an all-solid-wood flat-back mandolin that pays tribute to the beloved Flatiron M2, complete with a hard-shell case. At just 1.8 pounds, it travels anywhere and rewards players of every level with sweet, responsive tone from its solid spruce top and solid maple back and sides. Professionally set up at the Gold Tone factory in Titusville, Florida before shipping.
This is the left-handed version of the Gold Tone GME-4, a double-cutaway solid body electric mandolin built for players who want real amplified grunt — from Texas Swing and hillbilly jazz to rock and roll. The alder body, dual-rail mini humbucker, and ZeroGlide nut make this a serious working instrument at a seriously approachable price. Includes a padded gig bag and is professionally set up at the Gold Tone factory in Titusville, Florida before shipping.
The Gold Tone GME-5 is a double-cutaway solid body electric mandolin built for players who want mandolin voice with electric punch — equally at home in Texas Swing, hillbilly jazz, or a full-band rock setting. A dual-rail mini humbucker delivers warm, feedback-free tone, while the slim maple neck and radiused fretboard make it one of the most comfortable electrics in this price range. Every GME-5 receives a professional factory setup at Gold Tone in Titusville, Florida before it ships.
This is the left-handed version of the Gold Tone GME-6, a double-cutaway solid body electric mandolin built for players who want real amplified punch without feedback. With a dual-rail mini humbucker, compensated metal bridge, and slim maple neck, it covers everything from Texas Swing and hillbilly jazz to rock and roll. Includes a padded gig bag and arrives professionally set up at the Gold Tone factory in Titusville, Florida.
The Gold Tone GRS is a biscuit-cone resonator guitar built with a steel body and a genuine Paul Beard tailpiece, delivering that raw, cutting tone that blues and bluegrass players live for. It comes loaded with a lipstick pickup so you can go from front-porch acoustic volume to a full stage mix without missing a beat. Every GRS is professionally set up at Gold Tone's factory in Titusville, FL.
This is the left-handed version of the Gold Tone GRS, a Paul Beard-designed metal body resonator guitar. It delivers that unmistakable resonator bark and warmth — perfect for blues, bluegrass, and slide work. Lefties finally have a serious resonator option at a price that makes sense.