The Gold Tone LG-A/L is the left-handed version of the award-winning Little Gem Banjo-Ukulele, dressed in a stunning see-through amethyst purple and built for players who want a genuinely fun, great-sounding instrument that turns heads in any room. The acrylic rim and resonator deliver a bright, penetrating tone that punches well above its price point, while sealed guitar-style tuners and a bone nut keep it playing in tune and feeling right. This left-handed model arrives factory set up by Gold Tone in Titusville, Florida, and includes a gig bag.
The Gold Tone LG-D/L is the left-handed version of the award-winning Little Gem Banjo-Ukulele, featuring a stunning see-through Diamond (clear/crystal) acrylic rim and resonator that turns heads as quickly as it delights ears. Tuned GCEA in concert scale, it delivers a bright, penetrating banjo-uke tone with a maple neck, sealed tuners, and a bone nut — everything you need to start playing straight out of the box. This instrument arrives factory set up by Gold Tone in Titusville, Florida, and includes a gig bag.
The Gold Tone LG-R/L Little Gem is a see-through Ruby (red) banjo-ukulele that won Best in Show at Summer NAMM 2018 — and now it's available in a left-handed build for players who deserve something truly special. Its clear acrylic rim and resonator deliver a bright, penetrating tone that turns heads at every jam, while the maple neck, sealed tuners, and 8" clear head make it a genuinely playable instrument at an approachable price. This is the left-handed version, built to order by Gold Tone and professionally set up at their Titusville, Florida shop before it ships to you — gig bag included.
The Gold Tone LG-S/L is the left-handed version of the award-winning Little Gem Banjo-Ukulele, finished in a stunning see-through Sapphire blue with a composite acrylic rim and resonator that turns heads as much as it rings out. Tuned GCEA on a 15" concert scale with a maple neck, sealed tuners, and a punchy, penetrating tone, it delivers everything a banjo-uke should — in a package that left-handed players can finally call their own. This instrument arrives factory set up by Gold Tone in Titusville, Florida, and includes a gig bag.
On backorder, more on the way. This model is temporarily sold out at Gold Tone. Order now to reserve yours at today's price and hold your place in line. It ships as soon as our next shipment arrives, expected in August or September 2026. Questions? Call us at (404) 218-8580.
Greg Rich’s first Gold Tone design. Pre-war formula flathead tone ring, walnut construction, top tension rim, Prucha Presto tailpiece. Setup by our banjo tech Tara. Ships as soon as our next shipment arrives.
On backorder, more on the way. This model is temporarily sold out at Gold Tone.
Order now to reserve yours at today’s price and hold your place in line. It ships as soon as our
next shipment arrives, expected in August or September 2026. Questions? Call us at
(404) 218-8580.
Left-Handed model. This is the factory left-handed (/L) build. (Gold Tone does not photograph left-handed instruments — the images show the right-handed version; the instrument shipped is built left-handed.)
Greg Rich’s first Gold Tone design. Pre-war formula flathead tone ring, walnut construction, top tension rim, Prucha Presto tailpiece. Setup by our banjo tech Tara. Ships as soon as our next shipment arrives.
The Gold Tone OB-150 is the most affordable professional-grade bluegrass banjo we carry. 20-hole flat top bell brass tone ring, 3-ply Canadian maple rim, one-piece cast flange, dual coordinator rods, GT planetary tuners, vintage brown satin finish. 11.5 lbs. Professionally set up at Banjo Warehouse in Yellow Springs, Ohio. Hardshell case included.
The Gold Tone OB-150EF is the Orange Blossom bluegrass banjo with a 24-fret extended neck. Those extra frets give you a full two octaves on the first string, reaching a high D where a standard 22-fret banjo stops at C, and the longer neck adds weight and string tension for a fuller, punchier voice. Underneath it is the same pre-war-style flathead architecture the OB-150 is known for: a three-ply maple rim, one-piece cast flange, and a bell brass tone ring. Professionally set up at Gold Tone's factory in Titusville, FL and shipped with a hard case.
The Gold Tone OB-150WF is the Orange Blossom bluegrass banjo built with a wide fingerboard and a wider nut, giving you more room between the strings for cleaner fretting and comfortable rolls. It is an easy recommendation for players with larger hands or anyone who simply prefers more space under the fingers. The tone is classic OB-150: a three-ply maple rim, one-piece cast flange, and a bell brass flathead tone ring for authentic pre-war bark. Professionally set up at Gold Tone's factory in Titusville, FL and shipped with a hard case.
The Gold Tone OB-2 JM Joe Mullins Signature Banjo delivers authentic 1960s Mastertone bowtie tone with modern reliability. Featuring a rolled brass tone ring, mahogany resonator with golden sunburst finish, mahogany neck, and premium Gotoh tuners.
The Gold Tone OB-250LW/L is the left-handed version of the lightweight Orange Blossom banjo — a Mastertone-inspired flathead build that swaps the traditional brass tone ring for a precision-machined 3-ply maple tone rim, shaving roughly three pounds off a full-sized resonator banjo without sacrificing the warm, focused tone that makes the OB-250 series so compelling. You still get the full Orange Blossom treatment: ebony fingerboard, hearts and flowers inlay, GT Master planetary tuners, curly maple binding, one-piece flame maple resonator veneer, and a stunning vintage brown finish. Every OB-250LW/L ships factory-fresh with a professional setup performed by Gold Tone's skilled team in Titusville, Florida, and arrives with a hard case included.
The Gold Tone OB-3RF is a meticulous recreation of JD Crowe's legendary RB-3 "Banger," built in collaboration with Banjo Ben Clark, Jake Stogdill, and Robby Boone to capture every pre-war detail — from the "No Hole" bell brass flat-top tone ring to the slanted resonator walls, Presto tailpiece, and vintage leaf-and-bowes inlay. The result is a focused, cutting tone with tightened sustain that sets it apart from every other banjo in Gold Tone's catalog, all housed in a brown mahogany finish with nickel hardware that looks as authentic as it sounds. Every OB-3RF arrives factory set up by Gold Tone in Titusville, Florida, and includes an archtop hardshell case.