The Gold Tone Bell is an all-solid wood acoustic-electric guitar built for players who want genuine tone and real-world versatility at an honest price. A solid Sitka spruce top paired with solid mahogany back and sides delivers a warm, balanced voice that works equally well for fingerpicking and strumming, while the built-in Fishman pickup means you're stage-ready the moment you unbox it. Every Bell receives a professional factory setup at Gold Tone in Titusville, Florida before shipping, so it plays beautifully right out of the bag.
The Gold Tone Bell is an all-solid-wood acoustic-electric guitar built for players who want real tone, real versatility, and real value. A solid Sitka spruce top paired with solid mahogany back and sides delivers a warm, balanced voice that works beautifully whether you're fingerpicking at home or plugging into a PA on stage. It ships with a Fishman pickup system, Grover tuners, D'Addario strings, and a professional factory setup from Gold Tone in Titusville, Florida. Available in tobacco burst gloss finish.
The Gold Tone UG-10 is a guitar-bodied instrument tuned like a ukulele — GCEA — making it an irresistible tool for chord-melody playing, fingerpicking exploration, or just expanding your sonic palette. It features a spruce top, mahogany back and sides, a ZeroGlide nut for clean open-string tone, and comes with a heavily padded gig bag. Professionally set up at Gold Tone's factory in Titusville, FL before it ships to you.
The Gold Tone UG-18 is a full-scale ukulele-guitar hybrid tuned GCEA like a traditional uke, giving players the familiar chord shapes of a ukulele with the projection and sustain of a guitar body. With a spruce top, mahogany back and sides, rosewood fingerboard, and a ZeroGlide nut for spot-on intonation, it's an incredibly versatile instrument for chord-melody playing and beyond. Every UG-18 ships with a heavily padded gig bag and is professionally set up at Gold Tone's factory in Titusville, FL.
Recording King's Dirty 30s A-style mandolin with a solid spruce top and maple back and sides, built for classic old-time chop in a bold satin black finish.
Recording King's Dirty 30s A-style mandolin with a solid spruce top and maple back and sides, finished in a rustic satin tobacco sunburst.
Recording King's roundneck tricone resonator guitar, with three hand-spun aluminum cones in a nickel-plated bell brass body for a sweeter, layered voice built for slide and blues players.
The squareneck version of Recording King's tricone resonator, built for lap-style and slide playing, with three hand-spun aluminum cones in a nickel-plated bell brass body.
Recording King's Swamp Dog in a parlor-size body, a nickel-plated bell brass resonator with the same 9.5" hand-spun cone as the full-size model, punchier and more portable.
The Swamp Dog Parlor in a distressed vintage green finish, a nickel-plated bell brass resonator with a 9.5" hand-spun cone and a patina no two guitars share.
Recording King's Swamp Dog Style-O in a distressed vintage green patina, a single-cone bell brass resonator built for the raw, cutting voice of pre-war blues guitars.
The acoustic-electric Swamp Dog Style-O, a distressed vintage green bell brass resonator with a USA-made Fishman Nashville pickup built in for plugging into stage or studio.