I’ve handled a lot of ukuleles over the years, and the Gold Tone ResoUke genuinely surprised me the first time I played one. This is the tenor-scale version: a 16-inch scale that gives you noticeably more room between frets and more tension under the strings than the 14.5-inch concert, while the brass body and reverse-cone resonator with biscuit bridge push volume and sustain well beyond what any wood-body uke can manage. It cuts through a jam session, sits beautifully under a microphone, and has a warm, slightly bluesy midrange character that I find totally addictive. If you’ve ever wished your ukulele could hold its own in a mixed acoustic ensemble — and you prefer a roomier neck — this is the instrument that solves that problem.
What really sets the ResoUke apart from other metal-body resonator ukes I’ve seen is the Gold Tone/Beard coverplate design. The palm rest is fully removable without detaching the strings or lifting the entire coverplate — so adjusting string action, break angle, string spacing, or swapping the maple saddle is a five-minute job, not a surgery. The palm rest can also be shimmed to different heights, which matters more than people realize once you’ve spent a few hours playing. Underneath all of that, you get a bone nut at 1-3/8 inches, 14:1 Kluson-style geared tuners, a rosewood fingerboard with 19 frets and dot inlays, and custom-gauged nylon strings voiced specifically for this instrument. Brushed aluminum and chrome hardware keeps the look clean and understated. Gold Tone builds these in their Titusville, Florida shop, and the fit and finish quality at this price point is genuinely impressive.
Each instrument receives a professional setup at Gold Tone’s factory in Titusville, Florida before it ships to you.
Why Buy From Banjo Warehouse
Banjo Warehouse is an authorized Gold Tone dealer, which means your ResoUke comes with full manufacturer warranty support and you’re buying a genuine, current-production instrument — not grey-market stock. We offer flexible financing through PayPal Pay in 4 and 3, 6, 12, or 24-month plans with no late fees, plus Afterpay, so you can get playing without waiting.
Gold Tone ResoUke Tenor Specifications
| Scale Length | 16″ (Tenor) |
| Nut Width | 1-3/8″ Bone |
| Tuners | 14:1 Kluson-Style Geared |
| Neck Material | Mahogany |
| Fingerboard | Rosewood |
| Frets | 19 |
| Inlay | Dot |
| Top | Brass |
| Back & Sides | Brass |
| Binding | Cream ABS |
| Cone & Bridge Style | Reverse-Cone Biscuit Bridge |
| Bridge Saddle | Canadian Hard Rock Maple |
| Finish | Brushed Aluminium |
| Hardware | Brushed Aluminum & Chrome |
| Coverplate | Gold Tone/Beard with Removable Palm Rest |
| Strings | 4 (Custom Nylon) |
| Tuning | GCEA |
| Weight | 2.5 lbs. |
| Gig Bag | Included (Heavy-Duty) |
| Assembly | Gold Tone, Titusville, FL, USA |
Frequently Asked Questions
Should I choose the tenor or the concert ResoUke?
They are the same instrument apart from the neck: identical brass body, reverse-cone biscuit bridge, Gold Tone/Beard coverplate, hardware and price. The tenor runs a 16-inch scale against the concert’s 14.5 inches, which means wider fret spacing, a bit more string tension, and a slightly fuller low end as the longer strings drive the cone. Both tune to standard GCEA, so your chord shapes transfer either way. If you have larger hands, already play guitar or banjo, or simply prefer a roomier neck, take the tenor; if you want the most familiar, compact uke feel, take the concert.
Can I use standard ukulele strings on the ResoUke Tenor?
You can, but I’d encourage you to stick with the custom-gauged nylon strings Gold Tone specifies for this instrument, at least initially. The saddle break angle and cone response on a resonator uke are tuned around specific string tensions, and swapping to a standard set can dull the resonator’s projection or throw off the intonation — and on the longer tenor scale, string tension matters even more. Once you’re familiar with how the instrument responds, experimenting with strings is totally reasonable.
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